Twetiquette

Oh, hello. Welcome to Jeffrey’s Internet Etiquette Soapbox, where I passive-aggressively explain to you how obnoxious you are based on the trivial actions you take on a trivial social network!

Retweeting when someone replies to you with a compliment
The cardinal sin. There is no reason anyone would be at all interested in what some random person thinks of you. Your mom stopped caring when you turned five.
Retweeting when someone includes you in a jumble of usernames with the “#ff” hashtag
Congratulations! Someone thinks you’re worthy enough to be part of the cast of characters in their Final Fantasy fanfiction. Your followers already follow you. When they see that you’re included in a list of people to follow, they second-guess whether they should have followed you in the first place. Do you want that?
Retweeting when someone replies to something that you say
Unless what the person says is funny or interesting in its own right, there’s no need to retweet them for all your followers to see. Not even when they’re answering a question. We don’t want to be invited on a quest to discover the answer, since no one cares but you. If anyone did care, they’d check the replies to your question themselves.
Putting pound signs before words, or concatenating words prefaced by a pound sign
Pound signs serve no purpose; remove the key from your keyboard. I don’t care that it’s also the key for “3”.
Telling people where you are
No one has to know that you’ve left your basement. Take it to Google Latitude, where no one will hear about it. Have you ever bragged about patronizing McDonalds before the advent of Twitter? There’s no reason to start doing so now.
Posting nothing but how relaxing of a day you’re having
One can only surmise that you are only relaxed when you’re tweeting something pleasant, and at all other times you’re a nervous wreck.

In summary, if you ever stop to think about whether what you’re about to post has any relevance or use to anyone besides yourself, the answer is probably “no”, so put your phone away and pay attention to the tree you’re about to walk into.

Song Rating Spergatory

I still live in the dinosaur era of digital music management, in that I download and store full albums on my computer. None of this “cloud” silliness. Not yet, at least. All these downloads start to add up, so for the past 5 or so years, I’ve “actively” listened to my music; that is, I rate my music as I listen to it.

This comic from 2008 details the basics:

  • ★★★★★ – A song I could listen to over and over.
  • ★★★★ – A song I would play at a party.
  • ★★★ – A song I’d listen to on-the-go, but not with other people.
  • ★★ – A corrupted or misnamed file. I’ve got a smart playlist which acts as a to-fix list for these.
  • ★ – A song I don’t want on my iPhone, for one reason or another.

Out of 100GB of music in my library, only about 300 songs have a 5-star rating. There just aren’t many songs I could listen to repeatedly, and even then, they might get stale, prompting me to downgrade some to 4 stars.
4-star songs that I used to think were cool often get downgraded to 3 stars, because my taste in music (or taste in friends) has changed.
3-star songs are downgraded to 1 when I realize I get zero enjoyment from listening to the song.

I try to keep my library at 100GB, which is more than any music hoarder should ever need in the era of instant song querying via Google/YouTube. When I go over that amount, I take a few minutes to look at my iTunes smart playlist that contains songs whose album has an average rating of 1, and delete entire albums that contain no redeeming tracks.

On my iPhone, I make sure to automatically load any songs I haven’t yet rated. The remaining space is filled up by 3-, 4-, or 5-star songs with the oldest “last played” date. This ensures that my library remains “fresh.”

At home, I tend to play my entire library. That’s basically the only way I ever “upgrade” any songs from 1 star in case my tastes have changed.

Much like most of the content in this blog nowadays, I’ve written this here just so I can refer to something that doesn’t fit within 140 characters. So there we go. Feel free to chime in with any other music management suggestions if you got ’em.